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Provenance Studies of a Set of Pick-Up Glass Fragments Found in Portugal and Dated to the 17th Century

2024-09-12Artigo científico Acesso aberto
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dc.contributor.authorValente, Francisca Pulido
dc.contributor.authorCoutinho, Inês
dc.contributor.authorMedici, Teresa
dc.contributor.authorGratuze, Bernard
dc.contributor.authorAlves, Luís C.
dc.contributor.authorCadena, Ana
dc.contributor.authorVilarigues, Márcia
dc.contributor.institutionVICARTE - Vidro e Cerâmica para as Artes
dc.contributor.institutionDCR - Departamento de Conservação e Restauro
dc.contributor.institutionFaculdade de Ciências e Tecnologia (FCT)
dc.contributor.pblMDPI - Multidisciplinary Digital Publishing Institute
dc.date.accessioned2025-02-17T21:16:03Z
dc.date.available2025-02-17T21:16:03Z
dc.date.issued2024-09-12
dc.descriptionFunding information: This project was supported by the Portuguese Science and Technology Foundation (FCTMCTES), grants: PD/BD/114407/2016, UID/00729/2020. Publisher Copyright: © 2024 by the authors.
dc.description.abstractOne of the most recognized decorations of the pick-up technique is the millefiori glass, which has been commonly attributed to Venetian production. However, Portugal is the country where the largest known assemblage of this type of glass artefact has been studied and published. In this work, two important archeological contexts were selected: (1) Santa Clara-a-Velha monastery (SCV) and (2) São João de Tarouca monastery (SJT). The fragments selection was made based on the diversity of decorative motifs, colors, and original forms that has been associated with Portuguese production. The compositional characterization was conducted by performing micro-particle-induced X-ray emission (µ-PIXE) mapping, which facilitated the visualization of the distribution of different oxides across the different glass layers and laser ablation inductively coupled plasma mass spectrometry (LA-ICP-MS) to obtain the major, minor, and trace elements composition, including rare earth elements (REEs) to determine which kind of raw materials were used. Additionally, µ-Raman spectroscopy was employed to investigate the opacifiers, while UV–Visible spectroscopy was used to study which chromophores are presented in the glass samples. All the analyzed glass layers can be considered to be of a soda–lime–silica type, and four different geological patterns (from GP1 to GP4) were detected and reported. This result can indicate that these objects were made by using silica sources taken from four different geological settings. Interestingly, the GP3 represents about 41% of the analyzed glass fragments and is compatible with the pattern detected in some production wastes found in two different archeological contexts located in Lisbon, which reinforces the veracity of the theory that this GP can be attributed to a Portuguese production. On the other hand, GP1 was probably attributed Granada provenance.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent36
dc.format.extent11303353
dc.identifier.doi10.3390/heritage7090239
dc.identifier.issn2571-9408
dc.identifier.otherPURE: 110648991
dc.identifier.otherPURE UUID: 3c00c10c-b1e2-440f-9b67-a06b180ac843
dc.identifier.otherScopus: 85205251608
dc.identifier.otherORCID: /0000-0002-9537-5352/work/178299814
dc.identifier.otherWOS: 001326359800001
dc.identifier.urihttp://hdl.handle.net/10362/179202
dc.identifier.urlhttps://www.scopus.com/pages/publications/85205251608
dc.identifier.urlhttps://www.webofscience.com/wos/woscc/full-record/WOS:001326359800001
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/OE/PD%2FBD%2F114407%2F2016/PT
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00729%2F2020/PT
dc.relationGlass and Ceramic for the Arts
dc.subjectarcheology
dc.subjectarcheometry
dc.subjectglass in Portugal
dc.subjectmillefiori glass
dc.subjectRenaissance
dc.subjectVenetian and Façon-de-Venise glass
dc.subjectConservation
dc.subjectArchaeology
dc.subjectMaterials Science (miscellaneous)
dc.titleProvenance Studies of a Set of Pick-Up Glass Fragments Found in Portugal and Dated to the 17th Centuryen
dc.typejournal article
degois.publication.firstPage5048
degois.publication.issue9
degois.publication.lastPage5083
degois.publication.titleHeritage
degois.publication.volume7
dspace.entity.typePublication
oaire.awardNumberPD/BD/114407/2016
oaire.awardNumberUIDB/00729/2020
oaire.awardTitleGlass and Ceramic for the Arts
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/OE/PD%2FBD%2F114407%2F2016/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00729%2F2020/PT
oaire.fundingStreamOE
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication28c85f3f-7a13-4032-9626-97ed692704c0
relation.isProjectOfPublication78efc25d-0ca3-48d3-9cc0-40268b25c3fd
relation.isProjectOfPublication.latestForDiscovery28c85f3f-7a13-4032-9626-97ed692704c0

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