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O conto - Subversão e hibridismo na estrutura tradicional

dc.contributor.authorCorreia, Alda Maria
dc.date.accessioned2012-10-11T11:34:54Z
dc.date.available2012-10-11T11:34:54Z
dc.date.issued2001
dc.description.abstractThe questioning of fictional identities is central in both texts. Their structure illustrates the Bakhtinian notions of heteroglossia and dialogism and one of their main themes is the structuring and restructuring of social and personal history. Together with the use of irony and humour, the parody of social context, the use of intertextuality and metafiction, the exploration of fragment and of discontinuity, the development of self reflection and the interrogation of the author before the condition of his work, the focusing on the presence of a reader lost in the interpretation of the text, this problematisation of fictional identities places these two novels between the acts of modernism and postmodernism.por
dc.identifier.isbn972-772-211-3
dc.identifier.urihttp://hdl.handle.net/10362/7949
dc.language.isoporpor
dc.peerreviewedyespor
dc.publisherColibripor
dc.subjectFictional identitypor
dc.subjectMultiplicity of voicespor
dc.subjectAuthorshippor
dc.subjectDiscontinuitypor
dc.subjectFragmentationpor
dc.titleO conto - Subversão e hibridismo na estrutura tradicionalpor
dc.typejournal article
dspace.entity.typePublication
oaire.citation.conferencePlaceLisboapor
oaire.citation.endPage209por
oaire.citation.startPage199por
oaire.citation.titleHistórias literárias comparadaspor
rcaap.rightsopenAccesspor
rcaap.typearticlepor

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