Publicação
Melodic responses to textual variants introduced by the Roman Missal of 1570
| dc.contributor.author | Seiça, Alberto Medina | |
| dc.contributor.institution | Centro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH) | |
| dc.date.accessioned | 2023-04-04T22:07:19Z | |
| dc.date.available | 2023-04-04T22:07:19Z | |
| dc.date.issued | 2022 | |
| dc.description | UIDB/00693/2020 UIDP/00693/2020 | |
| dc.description.abstract | The Post-Tridentine Missale Romanum, approved by Pius V in 1570, introduced a binding textual version of the proper Mass chants. In several respects this new official wording differs from that of the inherited medieval tradition, mainly through suppression and addition of words, modification of Latin declensions, etc. The imposed text inevitably made demands on the editors of plainchant because they had to provide musical solutions and to adjust the melodic fabric to the official variants, some of them subtle, others more substantial. In my presentation, I will focus on some of the melodic responses to those problems of adaptation found in a large set of manuscripts written between 1603-1609 for Coimbra's cathedral (Portugal). The comparative analysis with other contemporary sources shows, on the one hand, dialogues and influences, but also, on the other hand, ad hoc solutions, which reinforce the relative (but progressive) individualization of chants in this period. | en |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 1 | |
| dc.format.extent | 85423 | |
| dc.identifier.other | PURE: 55880446 | |
| dc.identifier.other | PURE UUID: c95178a1-f0d1-404c-b29f-4460ef0bbd7c | |
| dc.identifier.uri | http://hdl.handle.net/10362/151560 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.relation | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT | |
| dc.relation | Centre for the Study of the Sociology and Aesthetics of Music | |
| dc.relation | Centre for the Study of the Sociology and Aesthetics of Music | |
| dc.title | Melodic responses to textual variants introduced by the Roman Missal of 1570 | en |
| dc.title.subtitle | a case-study based on the Post-Tridentine plainchant choir books of Coimbra's cathedral (1603-1609). | en |
| dc.type | conference object | |
| degois.publication.firstPage | ||
| degois.publication.issue | 50 | |
| degois.publication.lastPage | ||
| degois.publication.title | 50th Medieval and Renaissance International Music Conference, Uppsala, 2022. | |
| dspace.entity.type | Publication | |
| oaire.awardNumber | UIDB/00693/2020 | |
| oaire.awardNumber | UIDP/00693/2020 | |
| oaire.awardTitle | Centre for the Study of the Sociology and Aesthetics of Music | |
| oaire.awardTitle | Centre for the Study of the Sociology and Aesthetics of Music | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00693%2F2020/PT | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00693%2F2020/PT | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| rcaap.rights | openAccess | |
| relation.isProjectOfPublication | ecf4db0d-71fe-4ce7-8a1b-12df4c08ae30 | |
| relation.isProjectOfPublication | 57a5b729-9576-434a-ab50-93a26de855f9 | |
| relation.isProjectOfPublication.latestForDiscovery | ecf4db0d-71fe-4ce7-8a1b-12df4c08ae30 |
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