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Quando o exílio começa antes da partida

2025Capítulo de livro Acesso aberto
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dc.contributor.authorMarques, Bruno
dc.contributor.authorOliveira, José
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.contributor.institutionDepartamento de História da Arte (DHA)
dc.coverage.spatialGöttingen
dc.date.accessioned2025-08-14T21:24:25Z
dc.date.available2025-08-14T21:24:25Z
dc.date.issued2025
dc.descriptionUID/00417/2025 https://doi.org/10.54499/UID/00417/2025
dc.description.abstractIn Salazar's Portugal, where monitored daily life and selective repression invaded all domains of social and cultural life, it becomes essential to inquire whether exile begins before the moment of departure. Drawing from the portraits Fernando Lemos created between 1949 and 1952, this essay explores the sense of exile imposed by the clandestine nature of the "anti-fascist struggle." Instead of a voluntary or involuntary abandonment of the country, this condition of expulsion without displacement, a sort of exile without expatriation, results in the adoption of strategies involving disguises and duplicities to act beyond dictatorial surveillance. Anticipating the words of Jorge de Sena - "I was always an exile, even before leaving Portugal" - Lemos may have been one of the first to grasp the subjective dimension of this type of internal exile preceding his relocation to Brazil in 1953. This essay aims to understand how the dual photographic exposure of 'forbidden' faces takes the form of a strategy to critically unveil a division and duplicity that marks the paradoxical condition of the exiled persona within their own country.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent27
dc.format.extent629094
dc.identifier.doi10.17875/gup2025-2866
dc.identifier.isbn978-3-86395-656-1
dc.identifier.otherPURE: 125307154
dc.identifier.otherPURE UUID: cfeb7b66-6626-4096-9540-a08b2bc848b1
dc.identifier.urihttp://hdl.handle.net/10362/186468
dc.language.isopor
dc.peerreviewedno
dc.publisherUniversitätsverlag Göttingen
dc.relationinfo:eu-repo/grantAgreement/FCT/Avaliação UID 2023%2F2024/UID%2F00417%2F2025/PT
dc.relationArt History Institute
dc.relationArt History Institute
dc.titleQuando o exílio começa antes da partidapt
dc.title.subtitleFernando Lemos e os seus retratos do tempo da censurapt
dc.typebook part
degois.publication.firstPage
degois.publication.lastPage
degois.publication.titleCensura
dspace.entity.typePublication
oaire.awardNumberUIDB/00417/2020
oaire.awardNumberUIDP/00417/2020
oaire.awardTitleArt History Institute
oaire.awardTitleArt History Institute
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F00417%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F00417%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication401ae3e8-96f1-4dae-9e87-d040d22991fb
relation.isProjectOfPublication2dfe1927-a532-4a50-b676-93693fd90633
relation.isProjectOfPublication.latestForDiscovery2dfe1927-a532-4a50-b676-93693fd90633

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