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A platform of theoretical connections between artistic practices, processes and curatorial apparatus

2022Artigo científico Acesso aberto
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dc.contributor.authorCarmo, Alexandra do
dc.contributor.authorSalazar, Daniela
dc.contributor.institutionInstituto de História da Arte (IHA)
dc.date.accessioned2023-02-13T22:19:52Z
dc.date.available2023-02-13T22:19:52Z
dc.date.issued2022
dc.descriptionUIDB/05021/2020 UIDP/05021/2020
dc.description.abstractThe essay intends to re-evaluate the relations between cinema and the old media of drawing by dismantling the curatorial apparatus within the fabrication of a particular art work and its conceptual organisation; focusing on Alexandra do Carmo's drawing series (projects between 2008 and 2018) — and more specifically Studio Socialis 2014. These works enact a transient relationship between the mediums of drawing and video. Firstly we are analysing her work within the world of cinema as Idea; we argue that drawing is being used to conceptualise the editing tools of silent film, as if the silence of film without sound, seen through the fictional drawing tools, the pencil as the apparatus, could show us a cinema that lives from its mechanical support yet revealing itself distant from it—as articulated by Pavle Levi (2010) in a dialectical relationship between the concept and the apparatus. Secondly, it proposes a reflection on what is to build temporalities and the performatic aspect of the work—of the bodies of the ones looking, as well the memory process of translating one dispositif into another. All in a place of multiple pre given occupying conditions, the art institution.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent9
dc.format.extent268857
dc.identifier.otherPURE: 53105638
dc.identifier.otherPURE UUID: a4736778-a9b4-477c-b58f-ca4100b1b6ce
dc.identifier.urihttp://hdl.handle.net/10362/149153
dc.identifier.urlhttps://revistaharte-w.weebly.com/rha-w-nordm-11.html
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F05021%2F2020/PT
dc.relationNOVA Institute of Communication
dc.relationNOVA Institute of Communication
dc.subjectApparatus
dc.subjectPerformativity
dc.subjectDrawing
dc.subjectVideo
dc.subjectVisitor
dc.subjectSpectator
dc.titleA platform of theoretical connections between artistic practices, processes and curatorial apparatusen
dc.typejournal article
degois.publication.firstPage123
degois.publication.issue11
degois.publication.lastPage131
degois.publication.titleRevista de História da Arte Série W
dspace.entity.typePublication
oaire.awardNumberUIDB/05021/2020
oaire.awardNumberUIDP/05021/2020
oaire.awardTitleNOVA Institute of Communication
oaire.awardTitleNOVA Institute of Communication
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F05021%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F05021%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication644a17ef-9379-4935-b15f-e1f0f30f3a09
relation.isProjectOfPublication0b5e5093-06ac-4c4e-8679-f447a078f103
relation.isProjectOfPublication.latestForDiscovery644a17ef-9379-4935-b15f-e1f0f30f3a09

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