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Fernando Pessoa’s creative process as a “Theater of the Mind”

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dc.contributor.authorLoureiro, La Salette
dc.contributor.institutionCHAM - Centro de Humanidades
dc.coverage.spatialLondon
dc.date.accessioned2022-06-27T22:15:28Z
dc.date.available2022-06-27T22:15:28Z
dc.date.issued2022
dc.descriptionUIDB/04666/2020 UIDP/04666/2020
dc.description.abstractOver time, the pair of concepts Emotion and Mind, seeing the latter as the seat of Reason, occupies a top place in the discussion regarding the creative artistic process, in parallel with others, such as art/ life, truth/fiction. This paper analyzes how Fernando Pessoa wrote and theorized widely on the subject, established and practiced different poetics. His poetics and theories may be synthesized in the pair “feeling/ thinking,” which the poem “Autopsychography” develops, pointing to a concept of art as “pretending.” However, in a kaleidoscope work, this pair of concepts is focused and analyzed from different perspectives; it assumes multiple variations, meanings, and degrees, according to the different “authors” created by the poet. As he said, he built a “drama in people, instead of acts,” “a novel without a plot,” or as Teresa Rita Lopes summarizes, a “novel-drama-in-people.” Pessoa created the characters and became the scene where these variations confront and interact, where his authors, theorists, and critics act, all “a non-existent coterie” created by a single author. Indeed, he became “nobody,” and as Bernardo Soares, he confesses, “I’m the naked stage where various actors act out various plays.” That is, Fernando Pessoa’s work is The Theater of the Mind.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent8
dc.format.extent115265
dc.identifier.doi10.1201/9780429299070-59
dc.identifier.isbn9780367279936
dc.identifier.isbn9780367495381
dc.identifier.isbn9780429299070
dc.identifier.otherPURE: 44739070
dc.identifier.otherPURE UUID: cade97c5-048c-4fce-823f-b7d8f193c48c
dc.identifier.otherORCID: /0000-0001-9236-2735/work/161418101
dc.identifier.urihttp://hdl.handle.net/10362/140871
dc.identifier.urlhttps://www.taylorfrancis.com/books/oa-edit/10.1201/9780429299070/creating-mind-emotions-m%C3%A1rio-ming-kong-maria-ros%C3%A1rio-monteiro-maria-jo%C3%A3o-pereira-neto
dc.language.isoeng
dc.peerreviewedyes
dc.publisherCRC Press | Taylor & Francis
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT
dc.relationCHAM — Centre for the Humanities
dc.relationCHAM — Centre for the Humanities
dc.subjectFernando Pessoa
dc.subjectEmotion
dc.subjectReason
dc.subjectAesthetics of pretending,
dc.subjectMultiplicity
dc.titleFernando Pessoa’s creative process as a “Theater of the Mind”en
dc.typebook part
degois.publication.firstPage447
degois.publication.issue1
degois.publication.lastPage454
degois.publication.titleCreating Through Mind and Emotions
dspace.entity.typePublication
oaire.awardNumberUIDB/04666/2020
oaire.awardNumberUIDP/04666/2020
oaire.awardTitleCHAM — Centre for the Humanities
oaire.awardTitleCHAM — Centre for the Humanities
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04666%2F2020/PT
oaire.fundingStream6817 - DCRRNI ID
oaire.fundingStream6817 - DCRRNI ID
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublication5a4bf7c1-2d1e-4b8c-a636-75680f773764
relation.isProjectOfPublication1395c83d-c491-4fe3-9f54-a13739c3da0e
relation.isProjectOfPublication.latestForDiscovery5a4bf7c1-2d1e-4b8c-a636-75680f773764

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