Publicação
L’ecole echevarría en Galice et son rayonnement au Portugal
| datacite.subject.fos | Humanidades | pt_PT |
| dc.contributor.advisor | Billiet, Frédéric | |
| dc.contributor.advisor | Cranmer, David John | |
| dc.contributor.author | Brescia, Marco Aurelio | |
| dc.date.accessioned | 2018-11-19T10:21:58Z | |
| dc.date.available | 2018-11-19T10:21:58Z | |
| dc.date.issued | 2013-11 | |
| dc.date.submitted | 2018-11 | |
| dc.description | Tese arquivada ao abrigo da Portaria nº 227/2017 de 25 de Julho-Registo de Grau Estrangeiro | pt_PT |
| dc.description.abstract | La célèbre expansion de facteurs d‟orgues d‟origine vasque-navarraise vers le centre de la Péninsule Ibérique à partir de la seconde moitié du XVIIe siècle – qui va porter l‟orgue ibérique de racine castillane à son zénith et dont la figure de proue fut le franciscain Joseph de Echevarría – s‟est rayonnée en Galice grâce à l‟activité du facteur d‟orgues Manuel de la Viña. Il construisit deux orgues monumentaux revêtus de buffets jumeaux pour la cathédrale de Saint-Jacques-de-Compostelle (1704-1712). Ces instruments ont institué le paradigme de symétrie visuelle et sonore inspirant la construction d‟orgues doubles dans les principales cathédrales et temples prestigieux de la Galice. La construction des deux orgues visuellement identiques de la cathédrale de Braga (1737-1739), chef-d‟oeuvre du facteur d‟orgues Simñn de Fontanes, franciscain oblat de Compostelle, institue le principal foyer du rayonnement de l‟activité de facteurs d‟orgues d‟origine galicienne au Portugal. Dans le cadre de la présente thèse, nous étudions l‟activité des organiers liés au parcours ouvert par De la Viña, dans les deux côtés du fleuve Miño, ainsi que l‟impact de leurs principales innovations esthétiques et techniques, notamment l'implémentation du concept de symétrie visuelle et sonore aboutissant à une véritable architecture sonore, et son influence au sujet de la musique. | pt_PT |
| dc.description.abstract | The well-known expansion of organ makers from the Basque country and Navarra to the centre of the Iberian Peninsula in the second half of the 17th century – which would bring the Iberian organ of Castilian roots to its zenith and of which the main figure was the Franciscan friar Joseph de Echevarría – reached Galicia thanks to the activity of organ maker Manuel de la Viña. He built two monumental organs enclosed in identical cases for the Cathedral of Saint James of Compostela (1704-1712). These instruments established the paradigm of visual and sound symmetry which inspired the construction of double organs in the main cathedrals and other important churches in Galicia. The construction of two visually-identical organs for Braga Cathedral (1737-1739), the masterpiece of organ-builder Simón de Fontanes, also Franciscan friar oblate in Compostela, made it the principal point of departure for Galician organ-builders‟ subsequent activity in Portugal. The present thesis studies the activity of organ-builders linked to the path opened by De la Viña on the two sides of the Miño river and the impact of its main aesthetic and technical innovations, especially with regard to the introduction of the concept of visual and sound symmetry leading to a true sound architecture and its influence on the music written for these instruments. | pt_PT |
| dc.identifier.uri | http://hdl.handle.net/10362/52148 | |
| dc.language.iso | fra | pt_PT |
| dc.rights.uri | http://creativecommons.org/licenses/by/4.0/ | pt_PT |
| dc.subject | L‟école Echevarría | pt_PT |
| dc.subject | Manuel de la Viña | pt_PT |
| dc.subject | Simón de Fontanes | pt_PT |
| dc.subject | La facture d‟orgues en Galice et au Portugal, | pt_PT |
| dc.subject | Symétrie visuelle et sonore | pt_PT |
| dc.subject | Architecture sonore | pt_PT |
| dc.subject | Organ-building in Galicia and Portugal | pt_PT |
| dc.subject | Visual and sound symmetry | pt_PT |
| dc.subject | Sound architecture | pt_PT |
| dc.title | L’ecole echevarría en Galice et son rayonnement au Portugal | pt_PT |
| dc.type | doctoral thesis | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess | pt_PT |
| rcaap.type | doctoralThesis | pt_PT |
| thesis.degree.name | Tese de doutoramento em Musicologia | pt_PT |
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