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A realidade na arte: o compromisso humanista na representação pictórica (1936 - 1961)
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Orientador(es)
Resumo(s)
Esta investigação centra-se numa proposta de compreensão crítica das artes plásticas,
concretamente das representações pictóricas vinculadas a um compromisso humanista,
nas décadas centrais do século XX, em Portugal.
Num contexto histórico, social e político, internacional e nacional, de guerras e de
ditaduras, emerge a necessidade de uma ruptura vanguardista estética, de resistência e
oposição ética. Sustentada num pensamento e discurso ideológico, busca-se, em vários
países, uma nova estética, alicerçada numa nova atitude do artista, consciente e
comprometida, manifestando-se numa praxis artística participada e em linguagens
visuais ancoradas na realidade social e na figuração.
Partindo da análise compreensiva dos pressupostos teóricos fundadores de um debate
estético, dos subsídios e influências, ideológicos, artísticos e visuo-plásticos,
contributivos de uma estética do realismo humanista, para um estudo analítico das
intervenções e experimentações artísticas, nas suas múltiplas expressões, intenta-se uma
investigação e reflexão aprofundadas para uma reavaliação crítica da arte neo-realista,
nomeadamente da sua importância na história da arte portuguesa contemporânea.
This research focuses on a proposal for critical understanding of visual arts, specifically the pictorial representations linked to a humanistic commitment during the midtwentieth century in Portugal. In a historical social and political international and national context, of wars and dictatorships, emerges the need for an avant-garde aesthetical break, a resistance and ethical opposition. Based on an ideological thinking and discourse, a new aesthetic is sought in many countries. Such aesthetic is based on a new conscious committed attitude of the artist manifested in a participatory artistic praxis and in visual languages anchored in social reality and figuration. From a comprehensive analysis of the theoretical grounds for an aesthetical debate, of the ideological, artistic and visual-plastic grant and influences, which contribute for an aesthetical humanist realism, we progress to an analytical study of the artistic interventions and experimentations in their multiple expressions, we attempt a comprehensive research and reflection directed to a critical reappraisal of the neo-realist art, particularly regarding its importance in the history of Portuguese contemporary art.
This research focuses on a proposal for critical understanding of visual arts, specifically the pictorial representations linked to a humanistic commitment during the midtwentieth century in Portugal. In a historical social and political international and national context, of wars and dictatorships, emerges the need for an avant-garde aesthetical break, a resistance and ethical opposition. Based on an ideological thinking and discourse, a new aesthetic is sought in many countries. Such aesthetic is based on a new conscious committed attitude of the artist manifested in a participatory artistic praxis and in visual languages anchored in social reality and figuration. From a comprehensive analysis of the theoretical grounds for an aesthetical debate, of the ideological, artistic and visual-plastic grant and influences, which contribute for an aesthetical humanist realism, we progress to an analytical study of the artistic interventions and experimentations in their multiple expressions, we attempt a comprehensive research and reflection directed to a critical reappraisal of the neo-realist art, particularly regarding its importance in the history of Portuguese contemporary art.
Descrição
Palavras-chave
Neo-realismo Realismo Humanista Realismo Social Arte do Século XX Representação Oposição e resistência Portuguese fine arts 20th Century Art; Social Realism Neo-Realism Humanist Realism Representation Opposition and resistance