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Resumo(s)
Com o tema presente, As Artes no Xadrez da Globalização: Heranças e Desafios no início de um novo Milénio, pretendemos auscultar qual o lugar das Artes Visuais na contemporaneidade, o que passa, necessariamente, pela procura de um (re)entendimento do próprio conceito de arte.
Assim, utilizámos como metodologia o estudo de grandes exposições internacionais, procurando entender quais as constantes / diferenças dos seus modelos expositivos. Ocupámo-nos, nomeadamente, da Documenta de Kassel (2012), da Bienal de Veneza (2013), da Manifesta e da Bienal de São Paulo (2014), tendo visitado três destas exposições nas edições específicas acima anotadas.
With this theme, The Arts in the Chess of Globalisation: Legacies and Challenges at the Beginning of a New Millennium, we aimed to understand which is the place of the Visual Arts in contemporary times, a task implying a (re)understanding of the own concept of art. In that sense, we used as methodology the study of some large international exhibitions, trying to understand the constants and differences of their exhibition models. We studied the Documenta of Kassel (2012), the Venice Biennale (2013), the Manifest and the Bienal de São Paulo (2014), and we visited three of these exhibitions in the specific years noted above.
With this theme, The Arts in the Chess of Globalisation: Legacies and Challenges at the Beginning of a New Millennium, we aimed to understand which is the place of the Visual Arts in contemporary times, a task implying a (re)understanding of the own concept of art. In that sense, we used as methodology the study of some large international exhibitions, trying to understand the constants and differences of their exhibition models. We studied the Documenta of Kassel (2012), the Venice Biennale (2013), the Manifest and the Bienal de São Paulo (2014), and we visited three of these exhibitions in the specific years noted above.
Descrição
Palavras-chave
Arte Desafios Globalização Art Challenges Globalisation
