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dc.contributor.authorCranmer, David John-
dc.date.accessioned2018-05-22T22:02:43Z-
dc.date.available2018-05-22T22:02:43Z-
dc.date.issued2016-
dc.identifier.issn1676-3939-
dc.identifier.otherPURE: 2254921-
dc.identifier.otherPURE UUID: a9855863-4362-40b0-9a7a-f8f856f2e370-
dc.identifier.otherScopus: 84987624089-
dc.identifier.otherWOS: 000385315000005-
dc.identifier.urihttp://hdl.handle.net/10362/37645-
dc.descriptionUID/EAT/00693/2013-
dc.description.abstractGiuseppe Millico, best known in his time as a castrato singer and to posterity for his connections with Christoph Gluck, was also a composer of songs and dramatic works. This article traces the career of one of the lat- ter, the pastoral drama La pietà d’amore. It was first performed in Naples in 1782, where, unusually, it was also pub- lished. It subsequently came to be staged in Lisbon, the following year, and at the Ópera Nova Theatre, Rio to Janeiro, probably in 1786. In addition, certain aspects of the preface to the printed edition are considered, as well as manu- script scores and libretti relating to the known productions.en
dc.format.extent8-
dc.language.isoeng-
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/UID%2FEAT%2F00693%2F2013/PT-
dc.rightsopenAccess-
dc.subjectAjuda-
dc.subjectAntonio Lucchesi-
dc.subjectGiuseppe Millico-
dc.subjectLa pietà d’amore-
dc.subjectÓpera Nova-
dc.titleGiuseppe Millico and La pietà d’amore-
dc.typearticle-
degois.publication.firstPage45-
degois.publication.issue1-
degois.publication.lastPage52-
degois.publication.titleMusica Hodie-
degois.publication.volume16-
dc.peerreviewedyes-
dc.description.versionpublishersversion-
dc.description.versionpublished-
dc.title.subtitlefrom Naples to Lisbon to Rio de Janeiro-
dc.contributor.institutionCentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)-
dc.contributor.institutionDepartamento de Ciências Musicais (DCM)-
Aparece nas colecções:FCSH: CESEM - Artigos em revista internacional com arbitragem científica

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