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SUSTENTABILIDADE E INCLUSÃO NA ARTE DO MOSAICO: UM ESTUDO TEÓRICO-PRÁTICO DE IMPACTO COMUNITÁRIO
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Orientador(es)
Resumo(s)
A presente dissertação intitulada “Sustentabilidade e Inclusão na arte do mosaico: um estudo
teórico-prático de impacto comunitário”, aborda a temática da viabilidade da arte do mosaico na
atualidade e no futuro, como uma arte plástica, de expressividade própria que pode ir ao encontro
da sustentabilidade e da inclusão.
Este estudo teórico-prático sobre a arte do mosaico tem como objetivos: (i) integrar a arte e a
ciência, o vidro e a cerâmica, através da concretização do processo de conceção e da sua avaliação;
(ii) e analisar as implicações do processo de conceção e de exposição do mosaico, bem como
entender a sua identidade enquanto arte plástica perante a comunidade em geral; (iii) e ainda,
demonstrar a viabilidade da sustentabilidade na arte e na ciência do mosaico, aplicado num espaço
para todos e de todos.
O enquadramento teórico que sustentou este projeto pedagógico experimental centrou-se na
inclusão e na sustentabilidade.
A metodologia utilizada foi a investigação em ação, na medida é uma abordagem metodológica
que combina investigação e prática. Relativamente ao projeto pedagógico experimental, este seguiu
a metodologia projetual, desde a fase conceptual até ao resultado final.
O projeto pedagógico experimental de curta duração foi operacionalizado com dois grupos
distintos (estudos de caso): Centro de Reabilitação Nossa Senhora dos Anjos e na Universidade
Sénior de Oeiras.
Dos resultados obtidos foi possível concluir que o mosaico é ainda uma forma de materializar as
artes plásticas através de meios sustentáveis, sendo mais amigo do ambiente quando recorre a
materiais de desperdícios, e de forma inclusiva, dada a viabilidade de ser acessível e praticável de
forma manual a todos os que tenham acesso a esta forma de arte; e ainda, que o Mosaico, enquanto
arte decorativa estudado, não se limita apenas à escolha de materiais e processos como forma de
revestir superfícies planas ou tridimensionais, mas onde podem incorporar temas e mensagens de
cariz artístico e cultural de extrema valorização do património de um povo.
The present dissertation entitled "Sustainability and Inclusion in mosaic art: a theoretical-practical study of community impact", addresses the theme of the viability of mosaic art today and in the future, as a plastic art, of its own expressiveness that can meet sustainability and inclusion. This theoretical-practical study on mosaic art aims to: (i) integrate art and science, glass and ceramics, through the implementation of the design process and its evaluation; (ii) and to analyse the implications of the process of conception and exhibition of the mosaic, as well as to understand its identity as plastic art in the presence of the community in general; (iii) and also, to demonstrate the feasibility of sustainability in the art and science of mosaic, applied in a space for all and of all. The theoretical framework that underpinned this experimental pedagogical project focused on inclusion and sustainability. The methodology used was research in action, as it is a methodological approach that combines research and practice. Regarding the experimental pedagogical project, it followed the design methodology, from the conceptual phase to the final result. The short-term experimental pedagogical project was operationalized with two distinct groups (case studies): Nossa Senhora dos Anjos Rehabilitation Center and the Senior University of Oeiras. From the results obtained it was possible to conclude that mosaic is still a way to materialize the plastic arts through sustainable means, being more environmentally friendly when it uses waste materials, and in an inclusive way, given the feasibility of being accessible and practicable manually to all who have access to this form of art; and also, that Mosaic, as a decorative art studied, is not limited only to the choice of materials and processes as a way to cover flat or three-dimensional surfaces, but where they can incorporate themes and messages of an artistic and cultural nature of extreme appreciation of the heritage of a people.
The present dissertation entitled "Sustainability and Inclusion in mosaic art: a theoretical-practical study of community impact", addresses the theme of the viability of mosaic art today and in the future, as a plastic art, of its own expressiveness that can meet sustainability and inclusion. This theoretical-practical study on mosaic art aims to: (i) integrate art and science, glass and ceramics, through the implementation of the design process and its evaluation; (ii) and to analyse the implications of the process of conception and exhibition of the mosaic, as well as to understand its identity as plastic art in the presence of the community in general; (iii) and also, to demonstrate the feasibility of sustainability in the art and science of mosaic, applied in a space for all and of all. The theoretical framework that underpinned this experimental pedagogical project focused on inclusion and sustainability. The methodology used was research in action, as it is a methodological approach that combines research and practice. Regarding the experimental pedagogical project, it followed the design methodology, from the conceptual phase to the final result. The short-term experimental pedagogical project was operationalized with two distinct groups (case studies): Nossa Senhora dos Anjos Rehabilitation Center and the Senior University of Oeiras. From the results obtained it was possible to conclude that mosaic is still a way to materialize the plastic arts through sustainable means, being more environmentally friendly when it uses waste materials, and in an inclusive way, given the feasibility of being accessible and practicable manually to all who have access to this form of art; and also, that Mosaic, as a decorative art studied, is not limited only to the choice of materials and processes as a way to cover flat or three-dimensional surfaces, but where they can incorporate themes and messages of an artistic and cultural nature of extreme appreciation of the heritage of a people.
Descrição
Palavras-chave
Mosaico Estética Inclusão Sustentabilidade e Património