Utilize este identificador para referenciar este registo: http://hdl.handle.net/10362/184961
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Campo DCValorIdioma
dc.contributor.authorTononi, Fabio-
dc.date.accessioned2025-07-08T21:15:11Z-
dc.date.available2025-07-08T21:15:11Z-
dc.date.issued2025-
dc.identifier.issn2785-2903-
dc.identifier.otherPURE: 120662224-
dc.identifier.otherPURE UUID: 6d4b6cca-9d14-4c84-aaa0-cd32bbc6d7c9-
dc.identifier.otherORCID: /0000-0002-2113-0694/work/187566404-
dc.identifier.urihttp://hdl.handle.net/10362/184961-
dc.descriptionUIDB/04666/2020 UIDP/04666/2020-
dc.description.abstractThe eighth issue of The Edgar Wind Journal focuses on the art of Leonardo da Vinci and Michelangelo Buonarroti and Edgar Wind’s interpretation of their works. Wind devoted several studies to the two Renaissance artists, some published and other still unpublished. In this issue, Bernardino Branca analyses Wind’s Leonardo Papers, Pablo Schneider reflects on Wind’s investigation of Michelangelo’s pictorial language, and Ang Li offers a new perspective on the display modalities of Michelangelo’s Pietà and Bruges Madonna.en
dc.format.extent3-
dc.language.isoeng-
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT-
dc.relationinfo:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04666%2F2020/PT-
dc.rightsopenAccess-
dc.subjectLeonardo da Vinci-
dc.subjectMichelangelo Buonarroti-
dc.subjectArt history-
dc.titleThe Art of Leonardo and Michelangelo-
dc.typeother-
degois.publication.firstPage1-
degois.publication.lastPage3-
degois.publication.titleThe Edgar Wind Journal-
degois.publication.volume8-
dc.peerreviewedyes-
dc.identifier.doihttps://doi.org/10.53245/EWJ-000039-
dc.description.versionpublishersversion-
dc.description.versionpublished-
dc.contributor.institutionCHAM - Centro de Humanidades-
Aparece nas colecções:FCSH: CHAM - Outros

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