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Grupo do risco: a relação pelo desenho
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Este trabalho estuda a perceção e interação do Grupo do Risco, uma associação de desenhadores e fotógrafos, com o ambiente “natural” em que praticam o seu desenho de observação. A etnografia do Grupo sugere que a imersão necessária à prática do desenho, produz uma sensação de integração ambiental, através da identificação com o que é observado. Nota-se ainda que esta prática opera como um elemento relacional e aglutinador no interior do Grupo, amplificando a sensação de pertença ao coletivo, e deste ao ambiente. O estudo etnográfico é inspirado num quadro teórico multidisciplinar, que começa por questionar a divisão “natureza/cultura”, e os efeitos da conceptualização moderna de ambiente como “natureza”, como a causa do afastamento do ser humano do ambiente e consequente crise ecológica. Seguidamente, resumem-se algumas propostas alternativas de interações ambientais mais inclusivas e integradas, em que tanto razão como emoção fazem parte de sistemas éticos de ecologia social e ambiental. Finalmente, reforça-se a importância do contacto direto e sensorial com o ambiente “natural”, potencialmente gerador de identificação, empatia e cuidado. Conclui-se notando como a prática do Grupo do Risco pode ser um exemplo influenciador e inspirador, através das representações dos locais e espécies desenhados, mas sobretudo, pela relação social e ambiental, mediada e reforçada pela prática do desenho.
This work studies the perception and interaction of Grupo do Risco, an association of designers and photographers, with the “natural” environment in which they practice observational drawing. The Group's ethnography suggests the immersion necessary for the practice of drawing produces a sense of environmental integration, through the identification with what is observed. It is also noted that this practice operates as a relational and unifying element within the Group, amplifying the feeling of belonging to the collective, and to the environment. The ethnographic study is inspired by a multidisciplinary theoretical framework, which begins by questioning the “nature/culture” divide and its effects on the modern conceptualization of the environment as “nature”, as the cause of human being’s detachment from this environment and subsequent ecological crisis. Next, some alternative proposals for more inclusive and integrated environmental interactions are summarized, in which both reason and emotion are part of ethical systems of social and environmental ecology. Finally, the importance of direct and sensorial contact with the “natural” environment is reinforced, as a potentially generator of identification, empathy, and care. It concludes by noting how the practice of Grupo do Risco can be an influential and inspiring example, through representations of the places and species designed, but above all, through the social and environmental relationship, mediated and reinforced by the practice of drawing.
This work studies the perception and interaction of Grupo do Risco, an association of designers and photographers, with the “natural” environment in which they practice observational drawing. The Group's ethnography suggests the immersion necessary for the practice of drawing produces a sense of environmental integration, through the identification with what is observed. It is also noted that this practice operates as a relational and unifying element within the Group, amplifying the feeling of belonging to the collective, and to the environment. The ethnographic study is inspired by a multidisciplinary theoretical framework, which begins by questioning the “nature/culture” divide and its effects on the modern conceptualization of the environment as “nature”, as the cause of human being’s detachment from this environment and subsequent ecological crisis. Next, some alternative proposals for more inclusive and integrated environmental interactions are summarized, in which both reason and emotion are part of ethical systems of social and environmental ecology. Finally, the importance of direct and sensorial contact with the “natural” environment is reinforced, as a potentially generator of identification, empathy, and care. It concludes by noting how the practice of Grupo do Risco can be an influential and inspiring example, through representations of the places and species designed, but above all, through the social and environmental relationship, mediated and reinforced by the practice of drawing.
Descrição
Palavras-chave
Ecologia Ambiente Arte Desenho Grupo do Risco Ecology Environment Art Drawing