Editorial

Abstract

This issue of Revista de História da Arte presents a collection of articles aiming to contribute to an understanding of how censorship and the repression of sexuality and eroticism have impacted the creation, circulation, exhibi tion, and interpretation of works of art in different contexts and across several geographies; and, in turn, how the structures of censorship and control of artistic production are shaped by a range of forces including political control, forms of institutionalisation, acts of