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A arquitetura dos azulejos Iznik. Dos edifícios otomanos ao Museu Calouste Gulbenkian
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O presente Trabalho de Projeto pretende aprofundar o conhecimento sobre os azulejos Iznik do Museu Calouste Gulbenkian, nomeadamente no que toca à relação entre estes e os edifícios otomanos para os quais terão sido concebidos. No decurso desta investigação, foi planeada a criação de meios que têm em vista dar a conhecer ao público do Museu o conhecimento adquirido. Uma vez que a relação entre estes azulejos e a arquitetura resulta num tema pouco pesquisado até à data, optou-se por fazê-lo deste modo, contribuindo para um estudo mais particularizado de um dos núcleos mais significativos da coleção de arte reunida por Calouste Gulbenkian. O trabalho desenvolve-se em três partes distintas. Na primeira parte, o foco da investigação procurou dar a conhecer a coleção de azulejos Iznik do Museu Calouste Gulbenkian, englobando os conjuntos azulejares que atualmente se encontram expostos na Galeria do Oriente Islâmico, assim como as obras mais emblemáticas que se encontram nas reservas. Foram igualmente aprofundadas a história do azulejo Iznik e a ligação do Colecionador a estas obras. A segunda parte é dedicada à relação entre os azulejos Iznik idênticos aos do Museu e à sua localização in situ, em contexto otomano. Em último lugar, na terceira parte, optou-se por desenvolver meios para melhor transmitir ao público o conhecimento adquirido no decurso desta investigação, nomeadamente através da elaboração de visitas orientadas vocacionadas para este mesmo tema, assim como a criação de dispositivos de simulação tridimensional a instalar na Galeria do Oriente Islâmico, de modo a beneficiar os visitantes do Museu.
This Master’s project work is intended to enhance knowledge with respect to the Iznik azulejos/tiles of the Calouste Gulbenkian Museum, mainly regarding the connection between these objects and the Ottoman buildings to which they would have been intended. In the course of this investigation, resources were created in order to convey to the Museum’s public the knowledge acquired. Since the association between the azulejos/tiles and the architecture constitutes a subject with little research so far, we’ve chosen to do it in this way, contributing to a deeper study of one of the most significant fields of the art collection gathered by Calouste Gulbenkian. The work is developed in three different parts. In the first part, the focus of the investigation aimed to raise awareness of the Iznik azulejos/tiles collection of the Calouste Gulbenkian Museum, embracing the tile panels which currently are exposed at the Islamic Orient Gallery, as well as the most emblematic works of art that are kept at the Museum storage. The history of Iznik azulejos/tiles was also developed, just as the relationship between the Collector and these works. The second part is dedicated to the association between the Iznik azulejos/tiles which are identical to the ones from the Museum and their location in situ, in an Ottoman context. At last, in the third part, we’ve chosen to create resources to better convey to the public the knowledge acquired in the course of this investigation, mainly through the preparation of guided tours dedicated to this subject, as well as the setting-up of tridimensional simulation devices to be placed at the Islamic Orient Gallery, in order to benefit the Museum visitors.
This Master’s project work is intended to enhance knowledge with respect to the Iznik azulejos/tiles of the Calouste Gulbenkian Museum, mainly regarding the connection between these objects and the Ottoman buildings to which they would have been intended. In the course of this investigation, resources were created in order to convey to the Museum’s public the knowledge acquired. Since the association between the azulejos/tiles and the architecture constitutes a subject with little research so far, we’ve chosen to do it in this way, contributing to a deeper study of one of the most significant fields of the art collection gathered by Calouste Gulbenkian. The work is developed in three different parts. In the first part, the focus of the investigation aimed to raise awareness of the Iznik azulejos/tiles collection of the Calouste Gulbenkian Museum, embracing the tile panels which currently are exposed at the Islamic Orient Gallery, as well as the most emblematic works of art that are kept at the Museum storage. The history of Iznik azulejos/tiles was also developed, just as the relationship between the Collector and these works. The second part is dedicated to the association between the Iznik azulejos/tiles which are identical to the ones from the Museum and their location in situ, in an Ottoman context. At last, in the third part, we’ve chosen to create resources to better convey to the public the knowledge acquired in the course of this investigation, mainly through the preparation of guided tours dedicated to this subject, as well as the setting-up of tridimensional simulation devices to be placed at the Islamic Orient Gallery, in order to benefit the Museum visitors.
Descrição
Palavras-chave
Iznik Azulejos Arquitetura Motivos Circulação Influências Cultura material Mecenato Coleção Público Comunicação Contextualização Objeto museológico Azulejos/tiles Architecture Motifs Circulation Influences Material culture Patronage Colection Public Communication Contextualization Museum object