| dc.contributor.author | Pinto dos Santos, Mariana | |
| dc.contributor.institution | Instituto de História da Arte (IHA) | |
| dc.date.accessioned | 2022-01-05T23:20:43Z | |
| dc.date.available | 2022-01-05T23:20:43Z | |
| dc.date.issued | 2021-05 | |
| dc.description | UIDB/00417/2020 UIDP/00417/2020 | |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 5 | |
| dc.format.extent | 167250 | |
| dc.identifier.doi | 10.34619/y3pj-ff8n | |
| dc.identifier.other | PURE: 35843139 | |
| dc.identifier.other | PURE UUID: d3d57b80-6b5f-41f5-9ba2-a374c3c36460 | |
| dc.identifier.other | ORCID: /0000-0001-7289-1875/work/125139789 | |
| dc.identifier.uri | http://hdl.handle.net/10362/130329 | |
| dc.language.iso | eng | |
| dc.peerreviewed | no | |
| dc.title | Italian Futurism and the Bauhaus through the lens of humanism | en |
| dc.title.subtitle | Reading Iveta Slavkova’s Réparer l’homme. La crise de l’humanisme et l’Homme nouveau des avant-gardes autor de la Grande Guerre (1909-1929), Les presses du réel, Paris, 2020 | en |
| dc.type | review | |
| degois.publication.firstPage | 127 | |
| degois.publication.issue | 9 | |
| degois.publication.lastPage | 131 | |
| degois.publication.title | Revista de História da Arte Série W | |
| dspace.entity.type | Publication | |
| rcaap.rights | openAccess |
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