Publicação
Cinema Consciousness:
| dc.contributor.author | Rozzoni, Claudio | |
| dc.contributor.institution | Instituto de Filosofia da NOVA (IFILNOVA) | |
| dc.contributor.pbl | Philosophy Documentation Center | |
| dc.date.accessioned | 2018-05-24T22:03:44Z | |
| dc.date.available | 2019-10-10T00:30:46Z | |
| dc.date.issued | 2016 | |
| dc.description | SFRH/BPD/82038/2011 UID/FIL/00183/2013 | |
| dc.description.abstract | Dialoguing with Husserl’s manuscripts on Phantasy, Image Consciousness and Memory, this paper aims to shed light on some of the primary concepts defining his notion of image – such as “belief,” “presentification” (Vergegenwärtigung) and perzeptive Phantasie – and endeavors to show how such concepts could be profitably developed for the sake of a phenomenological description of film image. More in particular, these analyses aim to give a phenomenological account of the distinction between positing film images, presupposing a claim to reality – for example the ones we experience in a documentary attitude – and quasi-positing film images involved in artistic creation. The latter, despite their photographic relation to reality, are capable of giving rise to filmic “image-worlds” having intersubjective existence. | en |
| dc.description.version | authorsversion | |
| dc.description.version | published | |
| dc.format.extent | 29 | |
| dc.format.extent | 609008 | |
| dc.identifier.issn | 1582-5647 | |
| dc.identifier.other | PURE: 2342214 | |
| dc.identifier.other | PURE UUID: d6c64248-2ae9-422a-8c24-23bc5e935775 | |
| dc.identifier.other | WOS: 000393499000011 | |
| dc.identifier.other | Scopus: 85025443740 | |
| dc.identifier.uri | http://hdl.handle.net/10362/37809 | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.relation | info:eu-repo/grantAgreement/FCT/5876/147240/PT | |
| dc.relation | info:eu-repo/grantAgreement/FCT/SFRH/SFRH%2FBPD%2F82038%2F2011/PT | |
| dc.relation | A CÂMARA DE FILMAR E A REALIDADE: O PENSAMENTO DO CINEMA E A SUA RELEVÂNCIA PARA A FILOSOFIA CONTEMPORÂNEA | |
| dc.subject | Belief | |
| dc.subject | Reality | |
| dc.subject | Image | |
| dc.subject | Phantasy | |
| dc.subject | Perceptio | |
| dc.title | Cinema Consciousness: | en |
| dc.title.subtitle | Elements of a Husserlian Approach to Film Image | en |
| dc.type | journal article | |
| degois.publication.firstPage | 295 | |
| degois.publication.lastPage | 324 | |
| degois.publication.title | Studia Phaenomenologica | |
| dspace.entity.type | Publication | |
| oaire.awardNumber | UID/FIL/00183/2013 | |
| oaire.awardNumber | SFRH/BPD/82038/2011 | |
| oaire.awardTitle | A CÂMARA DE FILMAR E A REALIDADE: O PENSAMENTO DO CINEMA E A SUA RELEVÂNCIA PARA A FILOSOFIA CONTEMPORÂNEA | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/5876/UID%2FFIL%2F00183%2F2013/PT | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT//SFRH%2FBPD%2F82038%2F2011/PT | |
| oaire.fundingStream | 5876 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| rcaap.rights | openAccess | |
| relation.isProjectOfPublication | 7ec02e50-15a3-4e73-b344-13276417bf1f | |
| relation.isProjectOfPublication | 4b0b7122-ef46-40f6-9cf2-56a9986da54e | |
| relation.isProjectOfPublication.latestForDiscovery | 7ec02e50-15a3-4e73-b344-13276417bf1f |
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