Publicação
1916, the year Babylon got into Hollywood
| dc.contributor.author | Rosa, Maria Fátima | |
| dc.contributor.institution | Departamento de História (DH) | |
| dc.contributor.institution | CHAM - Centro de Humanidades | |
| dc.contributor.pbl | Universidade Nova de Lisboa, Faculdade de Ciências Sociais e Humanas, Centro de História d'Aquém e d'Além Mar | |
| dc.date.accessioned | 2021-02-17T23:30:14Z | |
| dc.date.available | 2021-02-17T23:30:14Z | |
| dc.date.issued | 2020 | |
| dc.description | UIDB/04666/2020 UIDP/04666/2020 | |
| dc.description.abstract | This paper aims to study how Babylon was portrayed in the 1916 film by David W. Griffith – Intolerance. This motion picture reveals a Babylon which is the direct result of the diverse visions and ideas the different historical actors had over the centuries. Through a historical analysis of Intolerance, a film that reached vast audiences at the time, one may be elucidated about the way the ancient capital was envisioned in the beginning of the 20th century, and which were the visual and textual sources used by the director to portray the city and its final fall. | en |
| dc.description.version | publishersversion | |
| dc.description.version | published | |
| dc.format.extent | 24 | |
| dc.format.extent | 4667992 | |
| dc.identifier.issn | 1647-5852 | |
| dc.identifier.other | PURE: 28092615 | |
| dc.identifier.other | PURE UUID: ef6039c3-1c1e-46ed-86d8-818653ad6304 | |
| dc.identifier.other | ORCID: /0000-0003-2302-7751/work/88959565 | |
| dc.identifier.uri | http://hdl.handle.net/10362/112015 | |
| dc.identifier.url | http://www.cham.fcsh.unl.pt/ext/res/latest-volume.html | |
| dc.language.iso | eng | |
| dc.peerreviewed | yes | |
| dc.relation | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT | |
| dc.relation | CHAM — Centre for the Humanities | |
| dc.relation | CHAM — Centre for the Humanities | |
| dc.subject | Mesopotamia | |
| dc.subject | Film Intolerance | |
| dc.subject | Reception of Antiquit | |
| dc.subject | Babylon | |
| dc.subject | Belshazzar | |
| dc.title | 1916, the year Babylon got into Hollywood | en |
| dc.title.subtitle | an historical analysis of David W. Griffith's Intolerance | en |
| dc.type | journal article | |
| degois.publication.firstPage | 33 | |
| degois.publication.issue | 2 | |
| degois.publication.lastPage | 57 | |
| degois.publication.title | Res Antiquitatis. Journal of Ancient History | |
| degois.publication.volume | 2ª série | |
| dspace.entity.type | Publication | |
| oaire.awardNumber | UIDB/04666/2020 | |
| oaire.awardNumber | UIDP/04666/2020 | |
| oaire.awardTitle | CHAM — Centre for the Humanities | |
| oaire.awardTitle | CHAM — Centre for the Humanities | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDB%2F04666%2F2020/PT | |
| oaire.awardURI | info:eu-repo/grantAgreement/FCT/6817 - DCRRNI ID/UIDP%2F04666%2F2020/PT | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| oaire.fundingStream | 6817 - DCRRNI ID | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.identifier | http://doi.org/10.13039/501100001871 | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| project.funder.name | Fundação para a Ciência e a Tecnologia | |
| rcaap.rights | openAccess | |
| relation.isProjectOfPublication | 5a4bf7c1-2d1e-4b8c-a636-75680f773764 | |
| relation.isProjectOfPublication | 1395c83d-c491-4fe3-9f54-a13739c3da0e | |
| relation.isProjectOfPublication.latestForDiscovery | 1395c83d-c491-4fe3-9f54-a13739c3da0e |
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