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Lorsque la voix déchire la lettre

dc.contributor.authorFonseca Clamote Carreto, Carlos
dc.contributor.institutionDepartamento de Línguas, Culturas e Literaturas Modernas (DLCLM)
dc.contributor.institutionInstituto de Estudos de Literatura e Tradição (IELT - NOVA FCSH)
dc.contributor.pblAPEF - Associação Portuguesa de Estudos Franceses
dc.date.accessioned2019-04-04T22:14:34Z
dc.date.available2019-04-04T22:14:34Z
dc.date.issued2018
dc.descriptionUID/ELT/00657/2013
dc.description.abstractThe emergence of the romance (as language and poetic discourse) in the Middle Ages shows an emancipation from Latin and neo-Latin literary models that suggests an acute perception of the scriptural dynamic acting at the heart of the fiction. Nevertheless, Paul Zumthor’s and Bernard Cerquiglini’s works in the 1980s have clearly shown that this emerging literature does not suppose an interruption with oral background on which it is based. But the opposite is equally true: the prologues remind us constantly that the legitimacy of the literary phenomenon cannot be based entirely on an ethics of the voice and that it supposes more and more an epistemology of the writing. The development of a literary consciousness in the vernacular language is thus neither simple affirmation of a vocal presence that deeply resonates in the texture of the written poems, nor a pure claim of the power of the letter that threatens the fragility of the orality whose symbolic prestige begins to decline especially from the 12th century: as romances and chanson de geste show us fiction seems to appear above all an experience of the in-between which emerges from the constant tension, even counter-diction (R. Dragonetti), between the letter and the voice.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent18
dc.format.extent144506
dc.identifier.issn1646-7698
dc.identifier.otherPURE: 12562712
dc.identifier.otherPURE UUID: 77aed72a-5931-48a1-9f98-c9f5447786b8
dc.identifier.otherORCID: /0000-0002-9931-0476/work/86283491
dc.identifier.urihttps://ler.letras.up.pt/uploads/ficheiros/16213.pdf
dc.identifier.urlhttps://ler.letras.up.pt/uploads/ficheiros/16213.pdf
dc.language.isofra
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/147232/PT
dc.subjectFrench Literature
dc.subjectMiddle Ages
dc.subjectOrality/writing
dc.subjectFiction
dc.subjectPoetics of the voice
dc.titleLorsque la voix déchire la lettrefr
dc.title.subtitlela fiction au Moyen Âge comme poétique de l’entre-deuxfr
dc.typejournal article
degois.publication.firstPage41
degois.publication.lastPage59
degois.publication.titleCarnets: revue électronique d’études françaises
degois.publication.volume13
dspace.entity.typePublication
oaire.awardNumberUID/ELT/00657/2013
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/5876/UID%2FELT%2F00657%2F2013/PT
oaire.fundingStream5876
person.familyNameFonseca Clamote Carreto
person.givenNameCarlos
person.identifier.orcid0000-0002-9931-0476
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
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