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Wes Anderson tem vindo a deixar a sua marca no cinema contemporâneo norte-americano, é conhecido pelo seu estilo de narrativa e pelo seu visual excêntrico. A cor é um elemento essencial nos seus filmes e tem um papel importante em paralelo com a narrativa. Nesta dissertação vou analisar o seu percurso em relação às cores através de três dos seus filmes com diferentes paletas cromáticas. Esta análise observa o contexto da atmosfera de Anderson, das suas histórias e personagens, das suas influências, em relação às cores escolhidas pelo diretor, autor em que todo o contexto cromático determina o conceito da obra em si.
Wes Anderson has been making his mark in contemporary American cinema, is known for his narrative style and eccentric look. Color is an essential element in his films, he plays an important role in parallel with the narrative. In this dissertation I will analyze his path in relation to colors through three of his films with different color palettes. This analysis looks at the context of Anderson's atmosphere, his stories and characters, his influences, in relation to the colors chosen by the director, author in which the entire chromatic context determines the concept of the work itself.
Wes Anderson has been making his mark in contemporary American cinema, is known for his narrative style and eccentric look. Color is an essential element in his films, he plays an important role in parallel with the narrative. In this dissertation I will analyze his path in relation to colors through three of his films with different color palettes. This analysis looks at the context of Anderson's atmosphere, his stories and characters, his influences, in relation to the colors chosen by the director, author in which the entire chromatic context determines the concept of the work itself.
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Cor Cinema Wes Anderson Indie Estética Color Aesthetics
