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Temos casas para construir: Música e representações identitárias na Filarmónica Portuguesa de Paris
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Após tempos conturbados de vivência multicultural na capital francesa, com gilets jaunes todos os sábados durante um ano, a caracterização da Filarmónica Portuguesa de Paris (FPP), enquanto instituição de representação de Portugal em França, constitui o foco de observação deste estudo. Com 32 anos de existência, a FPP atua em interfaces de representações identitárias de contexto migrante no coração da Europa. A metáfora da construção das casas, proposta por um dos músicos no final de um concerto em abril em Portugal, enformou a perspetiva analítica deste estudo etnomusicológico. Nele se confrontam os universos de operação teórica de estudo de nacionalismo etnosimbolista propostos pela escola de Anthony Smith na London School of Economics (2009, 2010, 2013). O objetivo é documentar e interpretar detalhes identitários de representação nacional (motivações, condicionalismos, constrangimentos, gostos pessoais e coletivos) no espaço de acolhimento migrante francês e parisiense. Os detalhes identitários de outras representações (preenchimento emocional e complemento social – escola de vida, sociabilidade em porto de acolhimento/família FPP) que emergiram durante a minha estadia, ganhando significado estruturante, também serão considerados. Para a análise destas várias representações, considero a história, o reportório e as vivências musicais da FPP, através de uma amostra de participantes dentro e fora do agrupamento: os sujeitos musicais deste estudo. Caracterizo detalhes identitários de contexto de interface cultural intrínseco à situação de migrante dos sujeitos musicais que acompanhei. As práticas do fado e do folclore como cenas nacionais portuguesas em Paris, interferiram nas análises que desenvolvo das representações identitárias na Filarmónica Portuguesa de Paris.
In troubled times of multicultural experience in the French capital, with gilets jaunes every Saturday for a year,, the characterization of the Filarmónica Portuguesa de Paris (FPP), as an institution of representation of Portugal in France, constitutes the focus of observation of this study. With 32 years of existence, the FPP performs in an interface of identity representations of a migrant context in the heart of Europe. The metaphor of the building of homes, proposed by one of the musicians at the end of a concert in April in Portugal, formed the analytical perspective of this ethnomusicological study. In it are confronted the theoretical universes of the study of ethno-symbolic nationalism proposed by the school of Anthony Smith in London School of Economics (2009, 2010, 2013). The goal is to document and to interpret identity details of national representation (motivations, constraints, individual and collective tastes), on the host space, French and Parisian. The identity details of other representations (emotional and social complement – school of life, sociability in welcoming port/family FPP) that emerged increasingly as time passed, will also be considered. To the analysis of these representations, I consider the history, repertoire and musical experiences of the FPP, through a selected number of participants in and outside the group: the musical subjects of this study. I characterize identity details from the context of cultural interface inherent to the migrant situation of the musical subjects I worked with. The practices of fado and folklore as Portuguese national scenes in Paris, interfered in the analysis that I develop of the identity representations on the Filarmónica Portuguesa de Paris.
In troubled times of multicultural experience in the French capital, with gilets jaunes every Saturday for a year,, the characterization of the Filarmónica Portuguesa de Paris (FPP), as an institution of representation of Portugal in France, constitutes the focus of observation of this study. With 32 years of existence, the FPP performs in an interface of identity representations of a migrant context in the heart of Europe. The metaphor of the building of homes, proposed by one of the musicians at the end of a concert in April in Portugal, formed the analytical perspective of this ethnomusicological study. In it are confronted the theoretical universes of the study of ethno-symbolic nationalism proposed by the school of Anthony Smith in London School of Economics (2009, 2010, 2013). The goal is to document and to interpret identity details of national representation (motivations, constraints, individual and collective tastes), on the host space, French and Parisian. The identity details of other representations (emotional and social complement – school of life, sociability in welcoming port/family FPP) that emerged increasingly as time passed, will also be considered. To the analysis of these representations, I consider the history, repertoire and musical experiences of the FPP, through a selected number of participants in and outside the group: the musical subjects of this study. I characterize identity details from the context of cultural interface inherent to the migrant situation of the musical subjects I worked with. The practices of fado and folklore as Portuguese national scenes in Paris, interfered in the analysis that I develop of the identity representations on the Filarmónica Portuguesa de Paris.
Descrição
Palavras-chave
Emigração portuguesa Representações identitárias Nacionalismo Interfaces Culturais Filarmónica Portuguesa de Paris Portuguese Emigration Identity Representations Nationalism Cultural Interfaces