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Josquin’s Missa Pange Lingua Reconsidered

dc.contributor.authorNelson, Bernadette
dc.contributor.institutionCentro de Estudos de Sociologia e Estética Musical (CESEM - NOVA FCSH)
dc.date.accessioned2023-06-29T22:18:45Z
dc.date.available2023-06-29T22:18:45Z
dc.date.issued2018
dc.descriptionUID/EAT/00693/2013 SFRH/BPD/99889/2014
dc.description.abstractDespite its omission from Petrucci’s printed trilogy of his masses, scholars have rarely doubted the authenticity of Josquin’s Missa Pange lingua. Reckonings of its date of composition to the later years of Josquin’s maturity have been replaced by in particular David Fallows’ suggestion (2009) of one nearer to c.1510 when Josquin was based (from 1504 onwards) in Condé sur l’Escaut. It was widely circulated in northern Europe and Italy (Rome), with the earliest surviving sources dating from c.1515 onwards. Besides questions concerning its historical origins and possible routes of transmission, including to the Alamire scriptorium at an early stage, there are intriguing structural/thematic aspects of the Pange lingua mass that so far appear to have escaped notice. Beginning with the start of the Credo, which is otherwise seemingly based on the hymn melody’s opening contour, close connections can be seen between parts of this mass and parts of a mass by a Flemish composer that survives only in two Alamire choirbooks (copied c.1508/12 onwards). The closeness of these links would seem to indicate that this was no chance connection. However, the chronology of composition of the two masses is not so clear, and it seems possible that the Flemish composer’s mass may even predate Josquin’s. In considering these links and thematic connections this paper aims to contextualise Josquin’s mass and possibly throw further light on its origins and/or early history.en
dc.description.versionpublishersversion
dc.description.versionpublished
dc.format.extent1
dc.format.extent42131
dc.identifier.otherPURE: 12415509
dc.identifier.otherPURE UUID: 8289640b-228d-428f-a43e-35455d95b618
dc.identifier.urihttp://hdl.handle.net/10362/154633
dc.identifier.urlhttps://www.alamirefoundation.org/en/outreach/en-pierre-de-la-rue-and-music-at-the-habsburg-burgundian-court/
dc.language.isoeng
dc.peerreviewedyes
dc.relationinfo:eu-repo/grantAgreement/FCT/5876/147237/PT
dc.subjectJosquin des Prez
dc.subjectMissa Pange lingua
dc.subjectAlamire Manuscripts
dc.subjectPierre de La Rue
dc.subjectGeneral Arts and Humanities
dc.titleJosquin’s Missa Pange Lingua Reconsidereden
dc.title.subtitleFurther Thematic Links with Music in the Alamire Manuscriptsen
dc.typeconference object
degois.publication.firstPage20
degois.publication.lastPage20
degois.publication.titlePierre de la Rue and Music at the Habsburg-Burgundian Court, Mechelen
dspace.entity.typePublication
oaire.awardNumber147237
oaire.awardURIinfo:eu-repo/grantAgreement/FCT/5876/147237/PT
oaire.fundingStream5876
project.funder.identifierhttp://doi.org/10.13039/501100001871
project.funder.nameFundação para a Ciência e a Tecnologia
rcaap.rightsopenAccess
relation.isProjectOfPublicationd1da4f3e-cbf4-488c-b84e-1142a4b1109e
relation.isProjectOfPublication.latestForDiscoveryd1da4f3e-cbf4-488c-b84e-1142a4b1109e

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