A CÂMARA DE FILMAR E A REALIDADE:  O PENSAMENTO DO CINEMA E A SUA RELEVÂNCIA PARA A FILOSOFIA CONTEMPORÂNEA

Financiador

Fundação para a Ciência e a Tecnologia

Organização

Ver mais

Publicações

Rivette’s The Nun: Religion between Sadism and Masochism

Publication . Rozzoni, Claudio; Stellino, Paolo; Instituto de Filosofia da NOVA (IFILNOVA)

2016Artigo científico

Acesso aberto

Ver mais

Cinema Consciousness:

Publication . Rozzoni, Claudio; Instituto de Filosofia da NOVA (IFILNOVA); Philosophy Documentation Center

Dialoguing with Husserl’s manuscripts on Phantasy, Image Consciousness and Memory, this paper aims to shed light on some of the primary concepts defining his notion of image – such as “belief,” “presentification” (Vergegenwärtigung) and perzeptive Phantasie – and endeavors to show how such concepts could be profitably developed for the sake of a phenomenological description of film image. More in particular, these analyses aim to give a phenomenological account of the distinction between positing film images, presupposing a claim to reality – for example the ones we experience in a documentary attitude – and quasi-positing film images involved in artistic creation. The latter, despite their photographic relation to reality, are capable of giving rise to filmic “image-worlds” having intersubjective existence.

2016Artigo científico

Acesso aberto

Ver mais

Entidade financiadora

Fundação para a Ciência e a Tecnologia

Número da atribuição

SFRH/BPD/82038/2011