Raposo, Sílvia2023-02-022023-02-0220221646-0715PURE: 46469910PURE UUID: 1f4f0f3a-4ded-42e7-8065-b580cc49f251http://hdl.handle.net/10362/148586UIDB/04038/2020 UIDP/04038/2020This article proposes an analysis of theatrical dance from the performance/politics binomial in which the body is seen as a privileged place to the analysis of power, since a body when dancing always take a stand on political field. To do this, we try to contextualize the dance-theatre of of the shows Antes que Matem os elefantes, by Companhia Olga Roriz and Eu Sou Mediterrâneo, by Companhia Vidas de A a Z, in their artistic course and analyse their coreographical and scenic languages having in view an understanding of the body that dances as a body that undergoes the actions of power relations, analysing it as a place of tension and clashes that develops articulations with memory and forgetfulness in a sensory-corporal game, speaking of the body as a archive and as a place of memory and resistance and look at it as a privileged place for the analysis of power.17577508porPerformanceMemóriaGuerra civil síriajournal article10.51427/cet.sdc.2022.0009https://revistas.rcaap.pt/sdc/article/view/28953