Madeira, ClaudiaOliveira, Fernando Matos2020-07-132020-07-1320192238-3867PURE: 18900256PURE UUID: 85a82d4c-a924-46f1-a7dc-e2a1e2a1925bWOS: 000519805400003ORCID: /0000-0003-2346-6885/work/77189571http://hdl.handle.net/10362/100818UID/CCI/04667/2016Manoel Barbosa possui um percurso singular na arte da performance em Portugal. Este artigo trata sobre o seu período formativo como artista e algumas das suas protoexperiências performativas, nomeadamente as primeiras performances realizadas em contexto colonial, que aqui são descritas e analisadas no âmbito de uma estética da resistência anticolonialista e antifascista. A glance at Manuel Barbosa’s career within Portuguese performance art shows a unique path. This paper investigates his early arts formation period and some of his performative proto-experiences by focusing on one of his earliest participatory performances within a colonial context, which will be described and analyzed from the perspective of a resistance aesthetics based on anti-colonialism and anti-fascism.13955636porPerformance artPortuguese colonial warResistance aestheticsAnti-fascism Anti-colonialismArte da performanceGuerra colonialEstética da resistênciaAnticolonialismojournal article10.11606/issn.2238-3867.v19i2p15-27https://apps.webofknowledge.com/InboundService.do?product=WOS&Func=Frame&DestFail=http%3A%2F%2Fwww.webofknowledge.com&SrcApp=RRC&locale=en_US&SrcAuth=RRC&SID=E6EkwvUeFNKJJmJQGgp&customersID=RRC&mode=FullRecord&IsProductCode=Yes&Init=Yes&action=retrieve&UT=WOS%3A000519805400003