Ferreira, Teresa2017-05-302017-05-3020162182-8954PURE: 2176899PURE UUID: 2e00205f-66be-45fc-aa7d-be95179b9b59http://www.elyra.org/index.php/elyra/article/view/123/119UID/ELT/00657/2013 SFRH/BD/101974/2014Poetic collage is mainly connected to the 20th century avant-garde, but its practice had a larger impact. Considering that, in the 20th century, the writing of poetic self-portraits was intensely explored, this study aims to reflect upon the contributions of collage to the poetic self-portrait. To this end, the poems “Retrato do autor por Camilo Pessanha (colagem)”, by Carlos de Oliveira, and “Auto-retrato com versos de Camões”, by Pedro Mexia, will be read side by side, showing how the poets cite other poets in order to create a portrait of themselves as authors, which is never separate from their own conception of poetic work.19532042porPoemSelf-portraitCollageCarlos de OliveiraPedro MexiaPoemas como colagens, colagens como retratosjournal articleCarlos de Oliveira e Pedro Mexiahttp://www.elyra.org/index.php/elyra/article/view/123/119